Invisible Hand - 1787 Words

Name: Pham Tan Vuong ID: S3411932 Lecturer: Antoine Goupille Word count: 1625 INTRODUCTION Adam Smith (1723-1790) was one of the greatest economists in the world with his concept of the â€Å"Invisible Hand†. The â€Å"Invisible Hand† explains the reasons why people do things in the market based on the principles of supply and demand. This theory also creates an economic system called free market or liberal market. This type of market has some main features namely, no governmental interventions and high competition. Adam Smith’s theory is interesting because he was the first one to set up the idea of a â€Å"market† that still exists now. The aim of this essay is to give an overview of the â€Å"Invisible hand†, analyze advantages and disadvantages of†¦show more content†¦According to Ollman (1999), workers’ exploitation will worsen continually because the longer, faster and harder people work, the less they are paid. As more people working longer and harder, employers will have more profit leading to the unbalanced distri bution of wealth. Van Suntum (2004) points out that while the majority of employers are holding huge amount of assets, their workers are often living in poverty as they have nothing else to offer but their labor on the market. Therefore, the free market often has the worker union to fight for their rights. This could create a huge loss for the economy as there may be no one working during that period of time. Nonetheless, when the market economy faces an economic crisis, it will become a big obstacle because it takes a long time to self-regulate without any interventions from the governments. Thus, firms will suffer from the shortage of demand or access to fund, whereas workers have to face with high rate of unemployment and low wages for a long time. APPLICATION OF THE â€Å"INVISIBLE HAND† The â€Å"Invisible Hand† is the force which could make people realize business opportunities and hence, push them forward to seize opportunities. Quynh Anh , author of the article â€Å"Sumitomo Increases Investment in Vietnam† published in the Vietnam Chamber of Commerce and Industry (VCCI), in March 2013 asserts that Nakamura , President of Sumitomo Corporation of Japan, highlyShow MoreRelatedLooking through Life with an Invisible Hand in Adam Smith967 Words   |  4 Pages Title: Looking through life with an Invisible Hand in Adam Smith Thesis: Throughout the centuries, countless philosophers have searched for what the meaning of life maybe. What is being? They have asked. Philosophers such as Heraclitus thought of being as fire. Other philosophers like Pythagoras, thought being was through numbers. Each philosopher thinks of life differently, although each shares their common goal. Some focus more on purpose through Christianity outlook such as St. Augustine andRead MoreMGT 623 Week 1 Assignment Essay example785 Words   |  4 Pagesof the Wealth of Nations  (1776), however, Smith stated that society is best served when each person pursues his own best interests; an invisible hand will ensure that self-interested behavior serves the common social good. The competition that would result between individuals would be played out within the confines of government regulations. Smiths invisible hand concept is based on the theory of psychological egoism, which holds that individuals will do a better job of looking afte r their own interestsRead MoreAdam Smith s Wealth Of Nations1057 Words   |  5 PagesTherefore, the real value that the market needs to promote is the labor that is invested in the product. For example, in real life diamond or gold is very expensive but people do not really need them because without them, people still alive. On the other hand, water or food is not as expensive as diamond or gold, but they are very necessary in real life because we cannot survive without water and foods. According to Smith, to understand the difference from these prices, we can look at the amount of laborRead MoreSimilar Principles of the Natural and Economic Environments Essay785 Words   |  4 Pages As a result, both the consumer society and the economy benefit, for needs are provided for and money is made, and the weak, incompetent members of society will die off, leaving humanity stronger overall. Furthermore, Smiths notion of `the invisible hand is precisely analogous to natural selection itself. Both of these ideas seem to dictate the systems they define, as though they have some sort of power or consciousness directing their progress; but, in fact, it is the opposite that is true:Read MoreThe Invisible Hand By Adam Smith1897 Words   |  8 Pages  In economics, the invisible hand is a metaphor used by Adam Smith to describe unintended social benefits resulting from individual actions. The phrase is employed by Smith with respect to income distribution and production . The exact phrase is used just three times in Smith s writings, but has come to capture his notion that individuals efforts to pursue their own interest may frequently benefit society more than if their actions were directly intending to benefit society. Smith may have comeRead MoreThe Invisible Hand By Adam Smith923 Words   |  4 Pages‘ The Invisible Hand’. It just relates to a one person. Obvious that is Adam Smith. Even though, after ten years or thousand years the economists w ill recall Adam Smith. Moreover, if you visit United Kingdom you can recognize Adam Smith face in the 50 and 20 pounds. ‘Man is an animal that makes bargains†- Adam Smith (Brainy Quote, (n.d)). That is underling the people’s instinct when they make a deal. â€Å"A person, who received his education through hard work, is like an expensive Car’- Adam Smith (BrainyRead MoreEssay on Race and the Invisible Hand1773 Words   |  8 PagesRace and the Invisible Hand Racism is a social dilemma that has been dealt a frequent occurrence in the history of mankind. People have experienced different forms of racism and depending on what part of the world you lived in, many wars have been fought different ethnic and racial group. The term racism has been over used so much so that it does no longer have a significant definition. The meaning varies depending on who is being asked what racism is. According to the book, Institutional  Racism  inRead MoreThe Invisible Hand Is Make Up By Adam Smith1347 Words   |  6 PagesCHAPTER# 1 QUESTION FOR REVIEW: 6.) The term invisible hand is make up by Adam Smith in wealth of nation, to describe the change in nature of marketplace without any interference of government, and it refers to maintain the equilibrium of supply and demand. Like we all driving, and we stop at red lights and go at green lights. Does anybody think, why we do so even there was nobody to stop us? You know we just obey rules and regulations for avoiding the accident. We desire to stop and go, for betterRead MoreSocialism Versus Capitalism, Opportunity Cost, And The Invisible Hand Principle909 Words   |  4 Pagesthings within the economy. But the aspects of socialism versus capitalism, opportunity cost, and the Invisible Hand Principle are what will be discussed within this writing. Capitalism is what the United States tries to abide by while still providing for those that cannot fit themselves into that category. Opportunity cost covers essentially what everything you do is worth to you and the Invisible Hand Princip le is the idea that supply and demand control the market place and prices within. I am goingRead MoreMy Experience in the Military1233 Words   |  5 PagesMarcus Pennie Written Communication September 9, 2012 My darkest hour was also the moment I became a man. When all my years of training, all the blood, sweat, and tears of running, aiming, skills training, and hand to hand combat had finally been put to the test. My first kill. It wasn’t a proud moment but it was one on necessity and choice that I’ve played over and over again and I still get the same result. It would have gone exactly the same. September 21st 1999, 1327 Zulu time. We

Quantitative Study Burdens among Parkinson’s disease...

Introduction â€Å"Parkinson’s is the second most common neurological disease after Alzheimer’s. It has been described as a chronic, progressive, neurological disorder, which generally not life-threatening but is incurable (Magennis Corry, 2013). Parkinson disease has no antidote but has altered treatments. Patients require caregivers help when PD gradually starts to affects motor, cognitive and emotional functioning. Patients are hindered from fulfilling their daily needs, thus necessitating the caregiver’s assistance. Care givers can be the PD patients relative, friends or non-professional caregivers (Martinez-Martin, Benito-Leon, Alonso, Catalan, Pondal, Zamarbide, †¦ Pedro, 2005). There are formal caregivers, paid helpers (Cifu, Carne,†¦show more content†¦This burdens a female caregiver. It would be an ultimately difficult transformation for a female caregiver as they will need to assist the PD patient in ways like bathing, getting dressed and getting their daily household chores done. Caregivers have to sacrifice their leisure time, their mental and physical health (Martinez-Martin et al., 2005). According to a data research from Spain, Martinez-Martin, Forjaz, Frades-Payo, Rusinol, Fernandez-Garcia, Benito-Leon, †¦ Catalan (2007), 77.5% of the caregivers are females. Only 21.25% of the caregivers are males. This is evident that there are relatively more female caregivers then males. The data further says 76.25% of the caregivers are spouse and 55% of caregivers do house works. 18.75% of the caregivers are children. This research is evident enough to show that many of the care givers are females and most likely PD patients are being taken care of by their spouses. Significantly, another data analysis from Spain, Carod-Artal, Mesquita, Ziomkowski Martinez-Martin (2013) shows that 80% of PD patients are males, 88% of caregivers are females and mostly these caregivers are their spouses. Another such Danish data analysis has similar results. Patients diagnosed with PD are assisted by their spouses. According to the data, 10 such caregivers were put under research. In this research female caregivers have been their primary source of research. These caregivers feel frustration as they

Mirabell and Millament Relationship free essay sample

In The Way of the World, his last comedy, Congreve seems to come to realise the importance for providing an ideal pair of man and woman, ideal in the sense that the pair could be taken for models in the life-style of the period. But this was almost impossible task, where the stage was occupied by men and women, sophisticated, immoral, regardless of the larger world around them, and preoccupied with the self-conceited rhetoric as an weapon to justify their immoral activities within a small and restricted area of social operation.Congreve could not avoid this, and for this, he had to pave his way through the society by presenting a plot which, though complicated enough for a resolution, aims at the ideal union between the hero and heroine—Mirabell and Millament. They emerge as the triumphant culmination of the representative characters of the whole period, of course not types, for they are real enough to be human. Congreve endowed his hero and heroine with all the qualities typical of the society, but towards the end the qualities, if negative, are employed as guards against the venoms of the society.At the beginning of the play, we find Mirabell shaping up a situation so that he can win the hands of Millament and her estate as well from Lady Wishfort who has the rein of power over them. In this Mirabell is perfect Machiavellian: conscious of his surroundings. He is not at all a man from chivalric romance. That he is a past master in the game of love, of course, in the sense of the period, that is, sexual relationship—is evident from his past affairs with Mrs. Fainall, from Mrs.Marwood’s fascination towards him and, one many suspect, from Lady Wishfort’s unconscious longing for him. Moreover, Mirabell has mastered rhetoric to encounter men and women around them. Consistent with the irresistible charm of Mirabell, Congreve built the character of Millament. She is the perfect model of the accomplished fine lady of high life, who arrives at the height of indifference to everything from the height of satisfaction. To her pleasure is as familiar as the air she draws; elegance worn as a part of her dress; wit the habitual language which she hears and speaks. She has nothing to fear from her own caprices, being the only law to herself. As to the affairs of love, she treats them with at once seriousness and difference. For instance, she exclaims to Mirabell: â€Å"Dear me, what is a lover that it can give? One makes lovers as fast as one pleases, and they live as long as one pleases, and they die as soon as one pleases; and if one pleases one makes more. † This, however, may be a case for Millament who is â€Å"standing at the threshold of maturity from girlhood†, as Norman N. Holland points out.But from her discussion of preconditions before entering into marriage with Mirabell, it is clear that she is intelligent and discrete enough to judge her situation. In the Proviso Scene we find Mirabell and Millament meeting together to arrange an agreement for their marriage. The scene is a pure comedy with brilliant display of wit by both of them, but, above all, provides instructions which have serious dimensions in the context of the society. On her part, Millament makes it clear that a lover’s (Mirabell’s) appeals and entreaties should not stop with the marriage ceremony.Therefore, she would like to be ‘solicited’ even after marriage. She next puts that â€Å"My dear liberty† should be preserved; â€Å"I’ll lye abed in a morning as long as I please†¦Ã¢â‚¬  Millament then informs that she would not like to be addressed by such names as â€Å"wife, spouse, my dear, joy, jewel, love, sweet-heart; and the rest of that nauseous can, in which men and their wives are so fulsomely familiar. † Moreover, they will continue to present a decorous appearance in public, and she will have free communication with others. In other words, after marriage they maintain certain distance and reserve between them.Mirab ell’s conditions are quite different: they are frankly sexual in content, directed to his not being cuckolded or to her bedroom manners. â€Å"Just as Millament’s are developed femininely† as Norman N. Holland points out, â€Å"Mirabell’s are developed in a typically masculine way. † Each of Mirabell’s provisos begin with its item: first, the general principle, â€Å"that your Acquaintance be general†, then specific instructions, â€Å"no she-friend to screen her affairs†, no fop to take her to the theatre secretly, and an illustration of the forbidden behaviour, â€Å"to wheedle you a fop-scrambling to the play in a mask†.Nevertheless, Mirabell denounces the use of tight dresses during pregnancy by women, and he forbids the use of alcoholic drinks. The conditions are stated by both parties in a spirit of fun and gaiety, but the fact remained that both are striving to arrive at some kind of mutual understanding. While the Proviso Scene ensures the marriage of true minds, the possession of dowry with Millament remains the aim of Mirabell for the rest of the play. At the end of the play Mirabell and Millament through their own peculiar balance of wit and generosity of spirit, reduce the bumbling Witwood and mordant Fainall to the level of false wit. Thus Mirabell and Millament dramatise the true wit that is so carefully and symmetrically defined through opposition. On his part, Mirabell informs that, â€Å"†¦I like her with all her faults: nay, like her for her faults†¦They now to grown as familiar to me as my own frailties†¦Ã¢â‚¬  And Millament declares to Mrs.Fainall, â€Å"Well, if Mirabell should not make a good husband, I am a lost thing—for I find I love him violently. † These confidences do not prevent their own chances for honesty in marriage. The triumph of the play is in the emergence of lovers who through a balance of intense affection and cool self-knowledge achieve an equilibrium that frees them from the world’s power. As the title of the play The Way of the World suggests, they have assimilated the rational lucidity of sceptical rake so that they can use the world and reject its demands.

Celta Pre Interview Task free essay sample

A. Error correction Each of the exchanges below contains a mistake. In each case: i) write the corrected version in the space provided ii) clarify your correction in simple English to explain the mistake Example Mr. Smith: â€Å"Do you have much experience in the restaurant business? † Giorgio: â€Å"Yes, I’ve been working as a chef since 10 years. † i) I’ve been working as a chef for ten years. ii) We use ‘since’ before a point in time – for example, since Tuesday, since 1992, since 5 o’clock. We use for before a period of time for example, for two weeks, for six years, for ten minutes. But in the verb ‘to record’ (e. g. ‘Elvis tried to record an album every year) the stress is on the second syllable ‘reCORD’ oO. In the following words, underline the syllable which takes the main stress, then put the word into the correct column below according to the number of syllables and the main stress. We will write a custom essay sample on Celta Pre Interview Task or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page examples: banana hospitality menu momentous bystander superb independent undeniable reliable computer burger ratio photograph photographer photographic oO |Oo |Ooo |oOo |ooOo |oOoo |ooOoo | |record (verb) |menu | |banana | | |hospitality | | |record (noun) | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | D. Sounds Match the underlined sound of the words in column A to a word in column B with a corresponding sound. Note: the sound can correspond to any sound in the words in Column B. For example: advice goes with sip. Beware! The spelling of the sound may be different! Column AColumn B i. advicea. unit ii. adviseb. jump iii. dayc. eight iv. beachd. though v. lodgee. thick vi. thinf. sip

The artist and the city Essay Example For Students

The artist and the city Essay As Athol Fugard approached his 60th Birthday Celebration, an October-November festival of his works in Atlanta, Ga., he had a last-minute twinge of misgiving. Girding himself for the revealing readings from his published Notebooks, adapted by Theater Emory, the prodigious South African playwright cracked to one of his hosts, I feel as though you should carry me onto the stage in an open casket. As it turned out, no one was more alive to the words than their author. Listening, with head lowered and eyes closed, to the 1960s entries about his dying father (the unseen, pain-wracked figure that haunts his diaries, as well as the plays Hello and Goodbye and Master Haroldand the Boys), Fugard wept. When the lights came up, he mingled for a while with the audience, remembering names with the kindly care most famous artists can only manage for wealthy backers. The reading and reception set the tone for an often joyous and occasionally confrontational encounter between the artist and the city: five productions at three theatres, as well as an array of debate-sparking forums during his three-week resi dency. Fugard was hardly the Great Author on a Delta Stopover collecting a life-achievement award; he came as a working artist, and needed every ounce of energy enhanced by his daily five-mile jogs (whose pace frustrated a rollerblade-mounted cameraman from CBS Sunday Morning) around Piedmont Park. We call the festival a partynot a retrospectivefor good reasons, said Theater Emory artistic director Vincent Murphy. We celebrate a man whos as engaged today, artistically and politically, as hes ever been. Indeed, when Fugard wasnt acting as assistant director (a title he relished) to Del Hamilton on his stirring 7 Stages production of My Children! My Africa!, he was directing brush-up rehearsals of the American premiere of his Playland, a co-production of Californias La Jolla Playhouse and Atlantas Alliance Theatre Company. An intense, exorcistic encounter between a black night watchman and a white ex-soldier in a deserted amusement park on New Years Eve, 1989, Playland is unquestionably Fugards most overtly theatrical work since Master Harold more than a decade ago. (The playwright joked that the whimsical-garish-brooding carnival set by Susan Hilferty, and the masterfully coordinated lighting and sound designs by Dennis Parichy and David Budries, will shock a lot of my critics in terms of production values.) And as his first major utterance since the release of Nelson Mandela, Playland may be Fugards most politically provocative play since the height of his anti-apartheid writings. As my country moves forward, said the playwright in his precise, lilting tenor, no amount of political blueprinting or committees can cross the real hurdles in the hearts and minds of men. That is: forgiveness. Coming to grips with the violence in our past, having the courage to say, Yes, I did thisplease forgive me. De Klerk keeps saying apartheid was misguidedthats not good enough, man! To hell with misguided it was evil! Fugards voice has risen so that it is shaking with rage as he spits out the last word. We must acknowledge that evil, as Germany did with the Holocaust. Otherwise, well have as our first inheritance only lies and hate and bitterness. The New South Africa will be a hollow phrase. Fugard chose to continue Playlands premiere in the spiritual hub of the Civil Rights Movement, immediately after the La Jolla run, out of a sense of poetic justice. In the welcoming words of Michael Lomax, a leading Atlanta politician and creator of the National Black Arts Festival; Mr. Fugard, we have a kinship with you. The playwright has corresponded for years with Atlanta friends, among them Nancy Kearns, a former 7 Stages dramaturg who wrote to him in South Africa from out of the blue; and actor-director Brenda Bynum, a Fugard specialist who met and befriended him at the 1987 Spoleto Festival USA production of his The Road to Mecca. The womens letters stoked his fascination with Atlantas civil rights history and its place as Mecca for the black professional class. Even to this day, it seems to me Atlanta is a touchstone, asserted Fugard, whose bristly beard and weathered face recall the tough-nut merchant seaman he was in his youth. Perhaps the essential American drama is being played out here certainly the greatest experiment. It was at a Theatre Communications Group conference in 1990 that Fugard met Alliance artistic director Kenny Leona 36-year-old black man whose past performances in Fugard plays are part of Atlanta lore. They became instant friends and vowed to collaborate. Wagging his finger as they parted, Leon said, Remember, we have an appointmentmischievously using the playwrights favorite word for his personal destinies. Fugard has sensed he had an appointment to write a play about forgiveness and South Africa since the late 70s. I was in New York, and I found myself in a bar late at night I was still drinking at this pointand I saw this man who seemedto have a cloud over him. Just staring at his shot glass. I sat down near him, and he looked up and said, Im not a killerIm not a killer. It became clear that I was talking to a Vietnam vet, and that something terrible I couldnt grasp the detailshad happened in Nam. Playland may have begun at that moment. The haunted vet became Gideon Le Roux, the bedraggled ex-soldier wandering into the carnival at nightfall, who fought the black SWAPO forces on the Namibian frontier. The image that torments him is one that Fugard came upon in a newspaper. There were two white soldiers standing in a truck full of black bodies, which they were dumping into a pit. Each of them had an arm as they had dragged this dead young man to the edge of the truck, and I thought, My God its like two Roman Centurions taking an African Christ-figure down from the Cross.' By making Gideon one of those centurions, Fugard created a character so wracked with guilt that he drunkenly, desperately seeks out a black man to beg for redemption. By a strange fluke, it turns out to be a night watchman, Martinus Zoeloe, who also bears the invisible scar of Number 6 (as in the 6th Commandment: Thou Shalt Not Kill) on his head. His compassion is tested to the extreme when the viciously taunting Gideon demands, Kill me or forgive me. Leon, whose two-and-a-half-year tenure has been marked by some white flight among subscribers in spite of a balanced, eclectic repertoire, saw that Playland had a message that Atlanta needs to heara message that doesnt make whites feel guilty or make blacks angry. As the director received freshly written pages of the play over the transatlantic fax last spring, America was reeling from the beatings of Rodney King and Reginald Denny; Atlantas street disturbances were among the worst in the country, second only to Los Angeles. It was uncanny to me, Fugard avows, his eyes wide with amazement, that my play was going straight into the two areas of the country where the pain had been the worst. I couldnt imagine how it would be received. One of those who took part in peaceful demonstrations in Atlanta in spite of classmates involvement in the near-riotswas Saul Williams, a 20-year-old student at prestigious Morehouse College. In his acclaimed professional acting debut in My Children! My Africa!, he was on the far shore of the debate, playing an enraged student who defies his teachers courageous plea for peace. I met Mr. Fugard with mixed emotions. I didnt know if such a play could be written by a white man. But I spoke to black South Africans who knew much of his work, and I was very impressed with the man himself. It was obvious the story came from the goodness of his soul. As much as the playwright appreciated newfound friends such as Williams, he was also profoundly affected by the angrier black students he addressed on local campuses and in the Alliance audience following preview performances. These exchanges, startlingly blunt even to the veteran of the apartheid wars, helped him clarify some of my own thinking about the situation in South Africa. Fugard quoted from his own Atlanta diary in an essay commissioned by the Atlanta Journal and Constitution: A black South African female student in her early 20s. She stared at me unflinchingly out of what I sensed was a deep well of smouldering resentment. I hesitate to use the word hate but it might well have been as strong as that. When she eventually spoke, the question was for Kenny, sitting next to me. How can you be his friend after what his people did to the black people of South Africa? Kenny spoke quietly. I will never forget his words. He is not a friend. He is my brother. If I do not forgive him, there is no hope for us in this world. Theater Emorys shrewdly selected repertoire of early, lesser-known Fugard worksHello and Goodbye (1965), Statements After an Arrest Under the Immorality Act (1972) and the two-part readings of the adapted Notebooks: 1960-77opened a window of personal history through which to appreciate the most recent plays. For instance, the troubled anti-hero of Hello, Johnnie Smits, is spiritually shackled to and (in a transformation prefiguring Sam Shepard) ultimately becomes his crippled father. Johnnie was described by Fugard as that very timid side of me, always at war with the brave devil in me. Notebooks contained the germinal idea of nearly every Fugard play. Foreshadowing Statements, based on the true case of a black principal and white librarian who were prosecuted under apartheid law for their secret love affair, the playwright recorded the eerily beautiful sight of two cobras first mating almost upright on a garden wallthen hacked to bits by the gardeners spades: Six seconds in which me n destroy something only God can make. Directed by Bynum with an intimate, Beckettian spareness that brought its streaks of poetry into sharp relief, Statements was the festivals surprising gem. Its principals, Rob Cleveland and mary Lynn Owen, had just celebrated their first wedding anniversary. There had never been a way for us to express all the difficult things about our relationship, the uncomfortable vibrations we get from both whites and blacks, said Owen. Suddenly we had a place for all of that feeling to pour out, to come into focus. The actresss sense of vulnerability was only heightened by the knowledge that the creator of her character would be sitting only a few feet away. But Fugard put her fears to rest by approaching her at a pot-luck dinner that 7 Stages threw for the playwright and Atlantas theatre community. Mr. Fugard said to me, Youll find Im a wonderful audience. I eat up everything you give me.' .uf181d8ccd02ab2a43ac68b49e2ccdde4 , .uf181d8ccd02ab2a43ac68b49e2ccdde4 .postImageUrl , .uf181d8ccd02ab2a43ac68b49e2ccdde4 .centered-text-area { min-height: 80px; position: relative; } .uf181d8ccd02ab2a43ac68b49e2ccdde4 , .uf181d8ccd02ab2a43ac68b49e2ccdde4:hover , .uf181d8ccd02ab2a43ac68b49e2ccdde4:visited , .uf181d8ccd02ab2a43ac68b49e2ccdde4:active { border:0!important; } .uf181d8ccd02ab2a43ac68b49e2ccdde4 .clearfix:after { content: ""; display: table; clear: both; } .uf181d8ccd02ab2a43ac68b49e2ccdde4 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uf181d8ccd02ab2a43ac68b49e2ccdde4:active , .uf181d8ccd02ab2a43ac68b49e2ccdde4:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uf181d8ccd02ab2a43ac68b49e2ccdde4 .centered-text-area { width: 100%; position: relative ; } .uf181d8ccd02ab2a43ac68b49e2ccdde4 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uf181d8ccd02ab2a43ac68b49e2ccdde4 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uf181d8ccd02ab2a43ac68b49e2ccdde4 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uf181d8ccd02ab2a43ac68b49e2ccdde4:hover .ctaButton { background-color: #34495E!important; } .uf181d8ccd02ab2a43ac68b49e2ccdde4 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uf181d8ccd02ab2a43ac68b49e2ccdde4 .uf181d8ccd02ab2a43ac68b49e2ccdde4-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uf181d8ccd02ab2a43ac68b49e2ccdde4:after { content: ""; display: block; clear: both; } READ: McTeague Persuasive Essay We will write a custom essay on The artist and the city specifically for you for only $16.38 $13.9/page Order now One the amusement park setting of Playland:Â   I came across an old entry from my notebooks about such a parkan icon of my youth! As hard-up as our family was, my mum always scraped together a few pennies so that we could have a few rides. That was my Christmas and my New Years. It was exclusively for whites in those days, but with a few matinees set aside for other races.Years later, I was driving through Karroo and I saw this sad little amusement park, encamped on the outskirts of a little town. It struck me what a visual setting it would be for a play, and what a metaphora place where people could go to play and to forget the harsh realities of their lives. On turning 60 and the New South Africa:Â   Just when there was the temptation to start thinking, Okay, its the home stretch now, my country throws the biggest drama of my entire life |the release of Nelson Mandela~ right in my face, and says, No, man! Wait a minute! Youve got another guess coming: weve only just started!The past was simple: I was ready to stand and be counted as a dissident voice. The future will be infinitely more complexrich, and provocative. There was some disturbing talk recently of cultural commissars and the correct thing for artists to sayit sounded a little like the old South Africa but from a different perspective. So I expect Ill go on as before, the outsider. On writing, and a sense of place:Â   When I sit down and face what I still lovingly call the Inquisition of Blank Paper, I feel I must be in South Africa, so thats why I spend half the year there. That country gives me my stories, for I understand its codes of life down to my bones. I have a house in the Karroo, outside of a little village with only 10 or 12 permanent residents. I become a bachelor when I writethank God Sheila |his wife of over 30 years~ understands this. Im self-sufficient there, with my windmill and my orchards, in my island of serenity and silence. Playland was mostly written there. On spirituality and his themes:Â   As I looked over what I had written in Playland, I was amazed to find more religious imageryor let me say instead, spiritual concernsthan I had been aware of. This was certainly a departure for meBut as Gideon tells Martinus, Gods forgotten usits just you and me tonight. Thats the essential theme in all my writing. Its what we do to each other, and with each other, one-on-one, on thefaceofthisearth! Thats the arena. Thats our damnation, man, or our salvation.

How to Work with an Indecisive Boss

How to Work with an Indecisive Boss There’s an unspoken truth in the world of work- although we usually get to pick our jobs we don’t get to pick our bosses. If we’re lucky, we get to work with the sort of boss whose a pleasure to be around- fair, pleasant, supportive, decisive, and encouraging. If this is your reality, then count your blessings and try to appreciate your situation. However, if you have a boss who’s something else, then it can pose some real challenges. One category of tricky boss includes the one who never seems to know what he or she wants. They either constantly waste time dragging their heels and delaying making any type of clear decision, or they’re forever changing what they tell you to do. Both of these types can be quite difficult to work with and can really impact your ability to perform your job effectively. But it’s not exactly easy to confront a boss who never seems to know what they want- so what do you do when you’re in this position?Learn your boss’s quirksTry your best to get to know your boss- including their decision-making behaviors and habits- as well as you possibly can over time. Although it can be tricky to expect the unexpected, as you get to know your boss more you may get better at anticipating how they’ll react to any given project or during any key decision-making moment, which may help minimize the ill-effects of their indecisive nature.Stay calm and kind, even when you want to screamYour best bet is to remain patient and do your best to anticipate your boss’s needs- and shifts- and try to work with them, not against them. First off, an indecisive boss is usually an anxious person by nature, and adding to their anxiety by developing an adversarial relationship with them will only serve to make matters worse. With the way many workplaces are structured, the fact is that you have to answer to your boss’s professional whims, as fickle as they may be. Once you know your boss oper ates this way, brace yourself and expect it. Knowing the madness is coming makes is a little easier to swallow.When you find yourself at a crucial point that requires a final decision from your boss, try and make the moment as stress free as possible. Also, do your best to reduce any external distractions that may make it challenging for your boss to concentrate and focus on the decision at hand. If it’s your job to present your boss with information so they can make a decision, be as clear and straightforward as possible. Always try to approach your boss in a calm and patient manner when a decision needs to be made- this will help put them in their best mindset to determine what they want at any given time.Keep a paper trailAlthough these strategies may prove helpful in a variety of decision-making moments, chances are it won’t completely fix the problem. The truth is, it’s hard for a leopard to change its spots. A boss who doesn’t know what they want wi ll likely remain this way- it’s just human nature to revert to your â€Å"core programming† and making lasting change is hard. That said, it would be helpful for you to get things from your boss in writing, so if they change their mind later on they can’t hold you accountable if projects go over budget and off schedule. Physical proof is always a good way to minimize the effects of their indecisiveness on your productivity and work reputation.A boss who never seems to be able to make up their mind and determine what they want when a decision needs to be made can be a challenging situation for you, but it doesn’t have to be an insurmountable obstacle. Use the strategies and advice provided here to make the best of a tough situation, and hopefully with a little time, experience, and luck, things will get better (or your next boss will know what they want and when they want it).

Social Change Within Developmental Psychology Essay

Social Change Within Developmental Psychology - Essay Example This suggested that alteration in the economy leads to further changes in an adolescent’s economic roles within the family. Adolescence, the stage of human life when one searches for his or her identity is influenced by the social alterations present within a particular society in which it takes place. Since the adolescent stage’s tasks is largely â€Å"identifying the self† taking in roles restricted by circumstances like social alterations in the economic structure, will probably affect their development. Social change â€Å"alter the social institutions and cultural belief systems that organize the adolescent period† (Crockett and Silberesein, 2000). This further implies that social change, such as fundamental historical events, provides significant avenues to adolescent development. Consider the great depression that happened in the United States. According to Crockett and Silberesein, the economic downturn put financial pressure and constraints in adolescents altering their role within the family. Since families had to undergo cost-cutting and should follow strict budget to make ends meet for them, the adolescents in the family would have to generate activities to produce income by finding work at an earlier age than the usual. But, â€Å"change is always relative to the starting point† (Greenfield, 2009) and the adaptation capability vary among every individual. Moreover, in times of social alteration, adolescents will develop change by adapting to the crucial challenges that can further strain their coping capacities through â€Å"setting goals, identity, efficacy beliefs and planful competence† (Crockett and Silberesein, 2000). Since the future is uncertain and no one can easily determine the upcoming social alteration, â€Å"the importance of family and community in supporting a successful transition from adolescence to adulthood in times of social change† (Crockett and Silberesein, 2000) is a very important factor that may shape an individual’s